Stent

Vienna,1920.TheAustro-HungarianEmpirehascollapsed.PeterPergreturnshomefromtheGreatWar,aftersevenyearsasaRussianPOW.Viennaisexperiencingthemultiplicityofpolitical,socialandartisticfreedom,butalsotheriseofanti-democraticmovements,insecurityandunemployment.Peter,aformerpoliceinspector,feelslikeastrangerinthenewAustrianRepublic.Whilewantingtoleavetown,Peterisconfrontedwiththemurderofoneofhisformercomrades.Hedecidestostayandinsteadbringthekillertojustice.HisallyisDr.TheresaKörner,adeterminedandcool-headedforensicdoctor.Thetwoarelinkednotonlybythiscase,butalsobyadeeper,sharedhistory.Astheirinvestigationprogresses,theyrealisethattheyarenotjustupagainstasystematickiller,whotortureshisvictims,butalsofacedisapprovalandintriguefromwithinthepoliceforce.Thoughdeterminedtosolvethecrime,Peter,harbouringhisownsecrets,increasinglybecomestormentedbyexistentialquestions:Whatistruth?Whatisheroisminthetimeofwar?Andallthewhilehefailstoseethemountingdangerbeforehim.

ITVhascommissionedasixthseriesofhugelypopulardetectivedrama,Endeavour,followingsuccessfulratingsandcriticalacclaimforthefifthseries.Co-producedbyleadingindieMammothScreenandMASTERPIECE,thesmartandsavvyInspectorMorseprequelchartsthecareerofEndeavourMorseasherisesupthroughtheranks,witheachfeature-lengthfilminvestigatinganewintricatelyplottedcase.ThenewsetoffilmswillseeShaunEvansreprisehistitularroleasDSEndeavourMorse,andcelebratedstageandscreenactorRogerAllamreturnasmentorDIFredThursday.EachstorywillbewrittenbyRussellLewis,whocontributedtoInspectorMorseandhaswritteneachofthe23Endeavourscreenplayssofar.Receivingpraisefromcriticsandviewersalike,thedramahasgonefromstrengthtostrengthsinceitsfirstoutingasaone-offfilmin2012tomarkthe25thanniversaryofInspectorMorseonITV.Thelatestserieslaunchedwithconsolidatedfiguresof6.7mand25\%ashare,withtheconsolidatedfiguresforthefirstfourfilmsthehighestforthreeyears.FilmedinandaroundOxford,thenewsetoffilmswillbesetin1969andgointoproductionlaterthisyearfortransmissionin2019.MammothScreen’sDamienTimmerexecutiveproduces,alongsidewriterandcreatorRussellLewisandWGBH’sRebeccaEaton.DeanneCunningham(ColdFeet)willproducethenewseries.Creator,RussellLewissaid:Asourstoryreachesthelastyearofthe1960s,andmankindmakesitsgiantleap,allat#TeamEndeavourlookforwardtoexploringfurtherearlychaptersinthecasebookofColinDexter’sbelovedcreation.ITV’sHeadofDrama,PollyHilladded:EndeavourcontinuestobehugelypopularwithITVaudiencesandwe’redelightedtobebringingviewersmorefilmstoenjoy.ThankstoRussellLewis’sconsistentlyintriguingscriptsandtheexcellentproductionvaluesatMammothScreen,itisahighqualitydramathatITVisimmenselyproudof.ITVStudiosGlobalEntertainmentdistributethedramainternationally.

JoséLuis(QuimGutiérrez)justhasbeenstoodupinthealtarand,ifthat’snotenough,MariCarmen(CarmenMachi),hispersistentmother,hasblindedherselfongowithhimonhishoneymoon,withtheexcuseofnotwastingthemoney.EveryminutethattheyspendtogetherinMauritius,JoséLuisisfeelingmoreunhappyandwashed-up.Meanwhile,MariCarmenishavingthetimeofherlife,livingalltheexperiencesthatshehasalwayswantedandrevealingherselfasthewonderfulwomanshereallyisandthatnobodyinherfamilycansee.

AndrewGrahamDixonpresentsthe3x60ArtofFranceforBBCFour,takingviewersonastunningvisualjourneythroughFrenchArthistory;fromFrenchgothicandEnlightenmentviaVersailles,toFrenchRevolutionandnationalcollapsein1870and1871,andfinally,inepisodethree,totheriseofimpressionismandexistentialism.

Thehalvesoftwobodies,onebelongingtoafemaleSwedishpolitician,arediscoveredinthemiddleoftheØresundBridge,whichconnectsCopenhageninDenmarkwithMalmöinSweden.Thebody,cutinhalfatthewaist,hasbeenplacedpreciselyontheborderbetweenthecountries,thusfallingunderthejurisdictionofboththeDanishandSwedishpoliceagencies.Afterfurtherexamination,itturnsoutthatthebodyisthatoftwoseparatecorpses,withonehalfbelongingtoaDanishprostitute.SagaNorén,fromtheSwedishside,andMartinRohde,fromtheDanish,leadtheinvestigationtocatchthemurderer.[4][5]Theinvestigationquicklyescalatesasajournalist,DanielFerbé,whosecarwasusedinthecrime,beginsreceivingphonecalls.Thecaller,whobecomesknownasthe"TruthTerrorist",claimstobecommittinghiscrimesinordertodrawattentiontovarioussocialproblems.Asocialworker,StefanLindberg,whosesisterbecomesavictimoftheTruthTerrorist,becomesanearlysuspect.However,eventssoonleadtheDanishandSwedishteamstoconcludethatthekillerhasconnectionstothepolice.Theydiscoverthatthecrimeshavebeenplannedoveraperiodofseveralyears.ThetraileventuallyleadsthemtoJens,aDanishpolicemanandformerclosefriendofMartin’s,whowasthoughttohavecommittedsuicideafteranaccidentonthebridgecausedthedeathsofhiswifeandson.Inthecourseoftheinvestigation,MartinandSagadevelopacloseworkingrelationship,althoughtheyareverydifferentpeople.Martinhasatwenty-yearoldsonfromhisfirstmarriage,August,whoisnowlivingwithMartinandhiscurrentwife,Mette,bywhomMartinhasthreechildren;afterMartinhashadavasectomy,Mettediscoversthatsheisexpectingtwins.Sagalivesaloneanddoesnotseemtofeelsheneedsaseriousrelationship,insteadpickingupmeninbarsforcasualsex.SheappearstohavesymptomsconsistentwithAspergersyndrome,resultingindifficultyestablishingrelationshipsandfeelingsofinadequacyinmanagingpeople;sherefusesapromotionforthislatterreason.Afterthekillerhasmurderedseveralpeopleandsuccessfullythrownredherringsinthewayoftheinvestigation,histruepurpose-tostrikeatMartinhimself-eventuallybecomesclear.Jens,nowcallinghimselfSebastianSandstrod,firstapproachesMette,whoissusceptibletohisadvances,afterlearningthatMartinhassleptwithCharlotteSöringer,awomanwhoisperipherallyinvolvedintheinvestigation.SebastianluresMetteandherchildrentoaremotespotwherehesubjectsthemtoaterrifyingordeal,lockingtheminwitharoomandgivingherahandgrenadewithitspinremovedtoholdaslongasshecan.However,SagarealisesthatAugustistherealtarget.Theinvestigationculminatesinaconfrontationonthebridge,whereshecannothelpbuttellMartinwhathappenedtoAugustandhastofireathiminordertopreventhimdestroyinghiscareerbykillingSebastian,thekiller’sfinalintention.

As Murder, She Wrote saunters through its sixth (of an eventual 12) season, star Angela Lansbury maintains her eternally buoyant and inquisitive air as Jessica Fletcher, professional writer and amateur sleuth. Though Jessica continued to investigate murders in her home town of Cabot Cove and elsewhere (in the worlds of high finance, opera, and voodoo, among other settings), this season began the practice of guest detective episodes, introduced by Jessica as either a story she wrote or a tale told by a friend, but starring a variety of quirky investigators: An ex-football player (Ken Howard, The White Shadow) paired with a clever poodle; a television crime-show producer who solved crime in real life (Diana Canova, Soap); a stout Irish detective (longtime character actor Pat Hingle); an abrasive homicide cop (Barry Newman, Vanishing Point); as well as recurring Murder, She Wrote characters like former jewel thief Dennis Stanton (Keith Michell) and British secret agent Michael Haggerty (Len Cariou). The producers were obviously hoping to use Murder, She Wrote's popularity to spin-off new series, but nothing from this season took off and viewer resistance soon brought the practice to an end. Executives must have been surprised to discover that, though murder mysteries are plot-driven, this show's success depends heavily on the undeniable charm of star Lansbury. Still, these one-off episodes are of a consistent quality with Lansbury's, and viewers open to variety will enjoy them just as much. The rest of the season features the usual astonishing array of guests, including movie stars old (Donald O'Connor, Singin' in the Rain) and recent (Elliott Gould, The Long Goodbye), television stalwarts (Shirley Jones, The Partridge Family; Jerry Stiller, The King of Queens; Doris Roberts, Everyone Loves Raymond; Kevin Tighe, Battlestar Galactica; and Gavin McLeod, The Love Boat), and D-list celebrities to die for (Dack Rambo, Morgan Brittany, Susan Anton, and more).

Amikoisn’tlikeotherchildren.Herendlessenergyandcuriouseccentricitiesmakeheranoutcastatschoolandgetherintroubleathome.Whenapainfulfamilylossdisruptsherseeminglyidyllicseasidelife,hersenseofisolationintensifies,yetitdoesn’tstopAmikofrominvitingpeopleintoherworld.MoriiYusuke’sdirectorialdebutisaconfidentandcompassionatestoryaboutachild’simagination.Thefilmbalancessorrowwithjoyandharshlessonswithnaivedelight–muchlikegrowingup.Crucially,Amikoneverforgetswhoisatthecentreofthestory.Thewryhumouranddetailedcompositionsofsmall-townJapan,aswellasthefilm’shopefultenor,arereminiscentofOgigamiNaokoorHirokazuKore-eda’sworks.ThegentleandlanguorousatmosphereisenrichedbyascorefromupcomingfolkstarIchikoAoba.KanaOsawadeliversanexquisite,force-of-natureperformanceasyoungAmiko.Effortlesslynatural,hercommandingpresenceandvitalitycarrygreatweightwhilstensuringthefilmneverfallsintodespair.Amiko’sunbeatenspiritinthefaceoftiredadultsanduncooperativeclassmatesletsusgothroughthepain,aswellasexperienceflashesofmischievouswhimsy,alongsideaspiritingmusicalsequencethatwillensureyou’llneverlistentoacongadrumthesameway.源自：https://iffr.com/en/iffr/2023/films/amiko

Canwereverseclimatechange?IceonFireexploresthemanywayswereducecarboninputstotheatmosphereand,moreimportant,howtodrawcarbondown,bringingCO2outoftheatmosphereandthuspavingthewayforglobaltemperaturestogodown.Reversingclimatechangeisurgent,giventhattheworldpassed400partspermillionCO2intheatmosphereresultinginclimateinstabilityacrosstheglobe.Wehaveheardthepredictionsbutnowclimaterelatedeventsareadailyreality-summer2018wasthehottestonrecord,stormsarestronger,droughtsarelonger,thearcticiceisthinornon-existentandantarcticaismeltingfasterthanpredicted.Throughvisitingvisionariesandscientistsyoungandold,thefilmexploresthedeephopethatwecanturnawayfromthebrink.And,justaswefigureoutdrawdown,wefaceanaddedcomplexity,thereleaseofmethane,apowerfulgreenhousegasinthearctic,thatisnowenteringtheatmsphere.Asthefilmsays:Isitgameover?Orisitgameon?Aswehaveathand,theability,thecapacity,andsolutionsthatcanreverseglobalwarming...notmitigate,notreduce,notstabilize,butreverse.

Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.

　　Une famille embarque dans son monospace flambant neuf, au petit matin, afin d'éviter les embouteillages pour les vacances d’été. Tom, le père, enclenche son régulateur de vitesse électronique sur 130 - km/h. Au moment où une dernière bourde de Ben, le beau-père, pousse Julia, excédée, à demander qu'on fasse demi-tour, Tom s'aperçoit qu'il ne contrôle plus son véhicule. L'électronique de bord ne répond plus, la vitesse est bloquée à 130 - km/h. Toutes les manœuvres pour ralentir la voiture emballée restent sans effet. Une voiture folle, six passagers au bord de la crise de nerfs et un embouteillage monstre qui les attend à moins de deux cents kilomètres de là...