Sovi

Atthefull-housepremiereofthemuch-anticipatednewmusicalproductionofRomeo&Juliethighschoolgroupandtheirteacherminglewiththeopeningnightcrowd.Theyaresurroundedbypeoplewhoarefullofexcitement.Butinsteadofanewinterpretationofaclassic,theon-stagedramaisovertakenbyrealevents.Thetheatreisinfiltratedbyterroristsandtheaudiencearetakenhostage.Inahigh-pressuresituationwherehundredsoflivesareatstake,theexperiencedschoolteacheristhrustunwittinglyintotheroleofchiefnegotiatorbetweenthepoliceandtheterrorists.Herformerstudentsareforcedtoturnfromtheorytopracticeandsavenotonlytheirlives,butthelivesofthepeoplearoundthem.Theymustdemonstrateextraordinarycourageandmakecriticalchoicestopassaterribletest.ClearlyresonantwiththeeventsoftheNord-Osttheatresiege,thisisafollowuptoAlexeiPetrukhin’ssearing2015highschooldrama,TeachafeaturingoneofthemostcelebratedactorsofRussianandSovietcinema,IrinaKupchenkointhetitlerole.Petrukhinsays,thefilmraisesimportantissuesrelatingtoourunderstandingofdifferentgenerations,ourhistory,religionandterrorism.Andmostimportantly-whatkindofactionsisapersonreadytotakeinacriticalsituation?

艾米莉（奥黛丽·塔图AudreyTautou饰）有着别人看来不幸的童年——父亲给她做健康检查时，发现她心跳过快，便断定她患上心脏病，从此艾米莉与学校绝缘。随后因为一桩意外，母亲在她眼前突然死去。这一切都毫不影响艾米莉对生活的豁达乐观。1997年，戴安娜王妃的去世让她倍感人生的孤独脆弱，艾米莉从此开始了一系列助人计划，包括自闭忧郁的邻居老人，被老板刻薄的菜摊伙计、遗失了童年器物的旧房东、爱情失意的咖啡店同事。但她万万想不到，成人录象带商店店员尼诺（马修·卡索维MathieuKassovitz饰），竟成为她的棘手对象，艾米莉开始了令人哭笑不得的另类计划……

WhenformerwrestlingchampionKakhilearnsthathissonSosohasgottenhimselfintodifficulties,hetravelsfromGeorgiatoNewYorktohelphimandfindoutwhatisgoingon…LevanKoguashvilihassethislatestofferinginBrooklyn’sBrightonBeach,capturingthediverseatmosphereofaneighborhoodthatishometoimmigrantsfromtheformerSovietUnion–aplacewherelanguagesandethnicgroupsmix,wheremostshopsignsareinCyrillic,andwherepeople’snostalgiafortheirhomelandmingleswiththeircurrentwoes.Profoundlymelancholicandinfusedwithtragicomicmomentsandasenseofunderstandingforitsprotagonists,thefilmcapturesthebondbetweenafatherandhisadultson,anancientbondinwhichtheoldermanwillalwaysfeeltheneedtoprotecthisblood,nomatterwhatthecircumstances.

「敦刻尔克」男主芬恩·怀特海德!跨性别新秀演员Leyna Bloom主演了马丁·斯科塞斯监制新片「港务局」(Port Authority),报告一个男孩与跨性别男子的恋情故事。该片近来已达成,才颁布信息。 新秀导演Danielle Lessovitz执导,McCaul Lombardi(「美国甜心」)也出演。配景为纽约LGBTQ圈有名的“舞厅文明”,报告20岁出头的男孩Paul(怀特海德扮演)初来纽约,与酷爱voguing的女孩Wye(Bloom扮演)看对了眼,他静静找上了她,热闹的爱开端抽芽。但随后Paul发明Wye是跨性别者,他自愿面临本人对她的饥渴,跟身边人深植的暴力。由斯科塞斯的Sikelia影业跟RT影业(「请以你的名字召唤我」)制造。

Astoryofsurvivalaboutawoman’sfirstnightinaSovietprisoncamp.

GuyisanexperiencedBritishfighterpilotwhoisincommandofBritain'sfirstmannedmissiontospace.HehastrainedforthisforthreeyearsattheheightoftheColdWarandnowheisaloneinspacewithamalfunctioningcapsule.HehaslimitedcontactwiththeUK,someunusualcommunicationwiththeUSandsomeunorthodoxcommunicationwithTyuratamdeepinSovietRussia...

In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.

UponarrivaltoVenus,cosmonautsfindfurious册canoesandsundryprehistoricbeastsinKlushantev’sfilm,basedonanovelbytheSovietsci-fiwriterAleksandrKazantsev.FootagehasbeenrecycledinthreeCormanproductions:VoyagetothePrehistoricPlanet,QueenofBlood,andVoyagetothePlanetofPrehistoricWomen(thedirectorialdebutofPeterBogdanovich).83min

Thepresidentsoftwosuperpowers,theSovietUnionandtheUnitedStates,areexpectedtomeetforimportantnegotiations.However,themeetinginjeopardyduetoragingoftheRussianMafia,settledinAmerica.MafiosoRabinovicheveninterferewiththeconversationoftopsecrethotlinebetweenthepresidents.Sobeginsacomedy,inwhichKGBagentFyodorSokolovandCIAagentMaryStarexposetheArtist,aheadoftheMafia,feigningofvariousSovietleaders.

Theprojectprovisionallytitled“ForgottenLeaders”isaseriesofsevenfilms,eachfeaturinganindividualfromtheleadersoftheSovietstateinpowerduringthetimeperiodfrom1920to1953.Eachepisodeisafilmedportraitdepictingthestoryoflife,politicalandpublicactivitiesofitshero.Theheroesof“TheForgottenLeaders”areindividualsambiguousfromtheperspectiveoftheRussianandworld’shistoryandodiousandoftensharplynegativeintheeyesofpublicconsciousness.Unfortunately,whenlabeling,weoftenforgetthat“eachindividualisatangleofcontradictions”andthat“historyiswrittenbythevictors”.Sevenmen.Sevenlives.Oneera.Whatwasbehindtheirdecisionsandatwhatwasthepricetheypaidfortheirdeeds?