Oléo

Atthefull-housepremiereofthemuch-anticipatednewmusicalproductionofRomeo&Juliethighschoolgroupandtheirteacherminglewiththeopeningnightcrowd.Theyaresurroundedbypeoplewhoarefullofexcitement.Butinsteadofanewinterpretationofaclassic,theon-stagedramaisovertakenbyrealevents.Thetheatreisinfiltratedbyterroristsandtheaudiencearetakenhostage.Inahigh-pressuresituationwherehundredsoflivesareatstake,theexperiencedschoolteacheristhrustunwittinglyintotheroleofchiefnegotiatorbetweenthepoliceandtheterrorists.Herformerstudentsareforcedtoturnfromtheorytopracticeandsavenotonlytheirlives,butthelivesofthepeoplearoundthem.Theymustdemonstrateextraordinarycourageandmakecriticalchoicestopassaterribletest.ClearlyresonantwiththeeventsoftheNord-Osttheatresiege,thisisafollowuptoAlexeiPetrukhin’ssearing2015highschooldrama,TeachafeaturingoneofthemostcelebratedactorsofRussianandSovietcinema,IrinaKupchenkointhetitlerole.Petrukhinsays,thefilmraisesimportantissuesrelatingtoourunderstandingofdifferentgenerations,ourhistory,religionandterrorism.Andmostimportantly-whatkindofactionsisapersonreadytotakeinacriticalsituation?

《拿破仑》(Napoléon，阿贝尔·冈斯，1927年/235分钟/黑白。耗费几十万米胶片和四年时间拍摄，尽管如此，这部影片“只不过是一部未完成的巨大作品的序幕”，某些片断需将三块银幕拼接起来才能放映，常见是1935年的有声版)

LucyWorsleytravelstoRussiatotelltheextraordinarystoryofthedynastythatruledthecountryformorethanthreecenturies.It’sanepictalethatincludesgiantfiguressuchasPetertheGreatandCatherinetheGreat,thedevastatingstruggleagainstNapoleonin1812,andtheshockingmurdersofNicholasIIandhisfamilyin1918whichbroughtthedynastytoabrutalend.TheRomanovswerethemostpowerfulEuropeanmonarchssincetheMiddleAges,wieldingunmatchedauthorityintothe20thcentury.Lucywillseehowtheyembracedandsponsoredtheartsonanastonishingscale,commissioningartworksandbuildingspectacularpalacesthatstilldazzletoday.YetmanyordinaryRussianswerelittlebetterthanslaves,andthefailureoftheRomanovstoaddresstheirconditionwouldultimatelyleadtorevolution.Inthisnewthree-partseries,Lucywillapplyhercharacteristicinsight,attentiontodetailandwittotheRomanovdynasty.Herunderstandingofroyaltraditionandculture,andhergiftforbringinghistoricalcharactersvividlytolife,willcreateafreshandcompellingaccountofthisuniqueroyalfamily.

CBSwillbebringingbackanotheroneofitsveterandramasforthe2019-20TVseason.Announcedthisafternoon,thenetworkhasofficiallyrenewed“NCIS”foritsseventeenthseason.Thenewscomesafterstarandexecutiveproducer,MarkHarmon,signedanewdealwithCBStoreprisehisroleontheseries.“NCIShasbeenaglobaljuggernautforalmosttwodecades,”saidCBSEntertainmentPresident,KellyKahl.“Itsviewersareclearlythemostloyalofanydramaontelevision.Theyarepassionateaboutthecharacters,theplotlinesandthestorytelling.Weoweahugedebtofgratitudetothegiftedproductionteamandthecast,ledbytheextraordinaryMarkHarmon.WearedelightedthattheshowwillremainalinchpinoftheCBSschedulethiscomingseason.”Initscurrentseason,“NCIS”hasbeenaveraging12.2millionviewersinthelive+samedayratings,makingitTV’ssecond-most-watchedscriptedseries,behindonly“TheBigBangTheory.”IthasremainedastrongperformerforCBS,inbothitsratingsandviewershipnumbers,andwaswidelyconsideredtobeastrongrenewalcontenderleadinguptotheannouncementtoday.Withthisrenewal,“NCIS”nowjoins“YoungSheldon,”“Mom,”“CriminalMinds,”“GodFriendedMe,”“MagnumP.I.,”“FBI,”and“TheNeighborhood”onagrowinglistscriptedtitlesconfirmedtobereturningonCBSforthe2019-20season.

FilmingcommencesonsecondseriesofcriticallyacclaimeddramaMarcellastarringAnnaFrielOriginalmulti-layeredITVcrimedramaseriesMarcella,writtenbyinternationallyrenownedscreenwriterandnovelistHansRosenfeldt(TheBridge)andstarringAnnaFriel(Broken,AmericanOdyssey)returnstoproductionthismonth(July2017).ReturningalongsideAnnaFrielastheleadMarcella,inthehighlypraiseddramaareRayPanthaki(OneCrazyThing),NicholasPinnock(Fortitude,Guerrilla),JamieBamber(Fearless,NCIS)andJackDoolan(WhiteGold).Newcastmembersarealsowelcomed;NigelPlaner(Episodes,ComicStripPresents,TheYoungOnes),KeithAllen(EddieTheEagle,MyMadFatDiary),SophiaBrown(Beauty&TheBeast,Clique,Disobedience),PeterSullivan(Cuffs,Critical,TheBorgias),JasonHughes(ThreeGirls,MidsomerMurders),VictoriaSmurfit(OnceUponATime,Trial&Retribution,TheBeach),YolandaKettle(TheCrown,LoveNina),JoshHerdman(HarryPotter)andHarrietCains(LineofDuty,SafeHouse).AnnaFrielcommented:“I’mthrilledtobereprisingtheroleofMarcellaandwanttothankITVforrecommissioningthispowerfulLondonbasednoirdrama.Thereactionfromeveryonehasbeenamazing,althoughtherealquestionIkeepbeingaskediswhetherthegreenparkawillbemakinganappearanceinseason2aswell?”Theeight-partseriesisonceagainsetincontemporaryLondonandthenewseriesunfoldsintheuniquestyleofRosenfeldt’sNordicstyle.Interweavingstorylinesandcharactersfromalldifferentwalksoflifeandbackgroundswillleadtheaudiencesonacomplexandemotionaljourneyandkeepthemguessinguntiltheveryend.Thestorybeginswiththediscoveryofabodyinsideawall.Thebodyissurroundedbytoysandsoftanimalsandaschoolblazer;adevastatedMarcellasoonworksoutthatthebodyisthatofschoolboyLeoPriestley,whowasabductedafewyearsbeforehandandafriendofMarcella’sson,Edward.Atask-forceisquicklypulledtogetherbynewlypromotedDCI,Timandweareintroducedtoanewmemberoftheteam,LeAnn.Inoneofthefirstmeetings,shestandsupforMarcella–somethingthatsheisnotusedtowithintheworkplace.Astheinvestigationprogresses,we’reintroducedtoanumberofnewcharacters–anoldpopstarRegandhismanagerandfriendAlan;edgybusinessmanVinceWhitmanandhischaritybosswifeMaya;apreviouslyconvictedcriminalPhilDawkins;brotherandsisterGailandEric;andBecky,thenewfiancéeofMarcella’sex-husband.Whilstthestorylinesentwine,Marcellaisstillbattlingwithherongoingsporadicfuguestateswhichshestrugglestocometotermswithandisgettingincreasinglyworriedabouttheeffectsitishavingonherandherfamilyaroundher.ThefirstseriesofMarcellawonmanyfans,achievedravereviewsandsentsocialmediaintomeltdownwhenitairedonITVin2016.Thelaunchepisodewastheseriesbestperformerwith8millionviewersanda29%shareofviewing.Theseriesaverageof6.8millionviewers(25%share)firmlyplacedMarcellaasoneofITV’stoprateddramaslastyear.Marcellahasbeenre-commissionedbyPollyHill,HeadofDramaandtheproductionwillbeoverseenforITVbySeniorCommissionerVictoriaFea.MarcellawillbeexecutiveproducedbyRosenfeldt,NicolaLarderandBuccaneerMedia’sfounderTonyWoodwhocreatedthejointventureproductioncompanyinpartnershipwithglobalentertainmentcompany,CineflixMedia.AnnieHarrisonBaxter(InTheFlesh,TheSecretofCrickleyHall,WildatHeart)isproducingtheseriesandChrisBallantyne(Broadchurch,BornToKill,TheLevel)isco-producing.ThefirstthreeepisodeswillbedirectedbyCharlesMartin(Stonemouth,TheReturned,Skins).

拉丁美洲的作品常常带着魔幻荒诞的色彩，影片故事正是发生在这里的墨西哥。艾莲娜是一个抚养三个女儿的寡妇，她的小女儿蒂娜（卢米·卡范佐斯LumiCavazos饰）和青年佩德罗（马克·莱昂纳蒂MarcoLeonardi饰）相爱，但母亲却按照家族规矩，要把大女儿柔沙嫁给佩德罗，同时声明蒂娜要照顾自己直到归西。佩德罗和柔沙结婚了。婚礼上，他向蒂娜吐露爱意，让蒂娜更加心伤。她的眼泪簌簌掉下，落到正在制作的菜肴上，于是，客人们竟然尝出了苦味。从此，蒂娜把自己压抑的爱意都融合在烹饪中，一家人的情绪竟随着她的烹饪心情或情欲高涨，或压抑阴沉。当蒂娜终于等来和佩德罗相守的日子，压抑已久的感情却化成了熊熊燃烧的烈火。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

张扬洒脱的索菲亚（OliviaMolina饰）在父母的餐馆里长大，从小便流露出对料理的极度热情与天赋，并不顾母亲阻拦毅然放弃学业投身餐饮。身为餐厅经理的帅小伙法兰克（阿方索·巴萨维AlfonsoBassave饰）惊讶于索菲亚的料理潜能，决心要使她成为世界一流的女厨师，在美味的催化下，两人擦出爱情火花。然而于此同时，和索菲亚一直保持稳定关系的初恋情人东尼（帕科·莱昂PacoLeón饰）也正在锲而不舍地向她求婚。五年时光如白驹过隙，索菲亚和丈夫东尼生了三个孩子，过着外人看来幸福富裕的生活，直到一天法兰克再度出现，又重新唤醒了索菲亚内心深处对料理的追求与爱的激情。几番争执后，东尼终于决定支持妻子的理想，并为她买下了一间豪华餐厅。在三人的齐心协力下，索菲亚的料理事业如日方升，三人的关系也在食欲和情欲中完美契合，出现了令人意外的发展……

卢米斯（米洛·文堤米利亚MiloVentimiglia饰）、雷克斯（BillySlaughter饰）、莎拉（NicoleOppermann饰）三个年轻人偶然得到一款名为《生存》的游戏，该游戏以15世纪欧洲臭名昭著的“血腥贵妇”伊丽莎白·巴瑟（ElizabethBathory）为蓝本，其制作精良，惊悚非常。在试玩过程中，奇怪的声响和事情接连出现，三人更先后离奇死亡。葬礼后，卢米斯的妹妹艾玛将《生存》游戏交给哥哥生前最好的朋友霍奇（约翰·福斯特JonFoster饰）。霍奇聚集一种电玩好友，一同体验这款卢米斯最后玩过的游戏。随着游戏的进行，霍奇等人发现这是一款真正的死亡游戏，所有的参与者都面临着死亡的结局。而他们已经身陷其中，无法逃离了……

AMuslimex-conformsafriendshipwithhisparoleofficer.